Memory, Nostalgia and the Idea of Home: Interrogating Colonial Governance and the Postcolonial Condition in Beloved and The Color Purple
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Memory##common.commaListSeparator## Home##common.commaListSeparator## Governance##common.commaListSeparator## Trauma##common.commaListSeparator## Womanism##common.commaListSeparator## Identity##article.abstract##
The renewed scholarly interest in memory, nostalgia, and home in postcolonial literature offers a critical space to examine the enduring legacies of colonialism, racial oppression, and institutional violence in independent nation-states. Literary narratives recover marginalized histories and reveal how social, political, economic, and cultural structures shaped by governance and public policy perpetuate exclusion, displacement, and injustice. This paper comparatively examines Toni Morrison’s Beloved and Alice Walker’s The Color Purple to explore how gender and identity are problematized through Black women’s “triple oppression.” It argues that memory functions as a site of suffering, nostalgia as a means of reclaiming identity, and home as a paradoxical space haunted by violence and loss. Both novels foreground the interconnection of racial discrimination, gendered violence, and economic marginalization, exposing oppressive legal, political, and social institutions that have denied African Americans dignity, justice, and agency. Drawing on postcolonial theory, memory studies, trauma theory, and Black feminist criticism, the paper demonstrates that memory, trauma, and the search for home become political acts of resistance, identity reclamation, communal healing, and historical accountability. Keywords: Memory, Home, Governance, Trauma, Womanism, Identity.
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